Tag: producer
Jeanine Pirro

Fox Producer Said Pirro Is 'Nuts,' So Trump Names Her Top D.C. Prosecutor

Fox News host Jeanine Pirro is so unhinged that the network took her show off the air following the 2020 election out of (subsequently confirmed) fear that she’d use it to launder deranged conspiracy theories about the results. But she’s a fanatical supporter of President Donald Trump, and that is apparently enough to get her tapped as the top federal prosecutor for Washington, D.C.

Trump announced Thursday night that he was appointing Pirro as interim U.S. attorney for the District of Columbia, specifically praising her Fox News career. Earlier in the day, Trump indicated that he planned to move on from acting U.S. Attorney Ed Martin, another right-wing media figure, who appeared unable to muster sufficient votes for Senate confirmation. Pirro is the 23rd person with Fox on their resume whom Trump has selected to join his second administration.

While Martin’s legal support for January 6 defendants reportedly played a major role in the failure of his nomination, Pirro has no recent legal experience to speak of. She was elected as a Westchester County Court judge in New York in 1990, and then she served as the county’s district attorney before suffering through an aborted run for U.S. Senate in 2005. Pirro joined Fox in 2006 and has been firmly ensconced on its sets for the last two decades, serving as a legal analyst, host of the weekend evening program Justice with Judge Jeanine, and then co-host of the weekday panel show The Five.

Following Trump’s rise to the presidency, Pirro stood out among the network’s stable of shills and propagandists for providing what my late colleague Simon Maloy deemed “advocacy for the president [that] is so aggressive that it often borders on insane.”

Her lowlights during his first term included calling for a “cleansing” of the FBI and the Justice Department, which she said were full “of individuals who should not just be fired, but who need to be taken out in handcuffs”; describing Trump as “a nonstop, never-give-up, no-holds-barred human version of the speed of light” and comparing his negotiation prowess to the skill of NFL running back Saquon Barkley; repeatedly urging then-Attorney General Jeff Sessions to resign if he was unwilling to protect Trump and prosecute his enemies; speaking on stage at a Trump campaign event in apparent violation of network policy; and getting suspended by Fox for pointing out that Rep. Ilhan Omar (D-MN) wears a hijab and asking, “Is her adherence to this Islamic doctrine indicative of her adherence to sharia law which in itself is antithetical to the United States Constitution?”

Pirro’s zealous support for Trump loomed over her coverage of his lies that the 2020 election had been stolen from him through election fraud. Fox preempted her first broadcast of Justice following Election Day. But when she returned to the airwaves for subsequent broadcasts, she provided conspiracy-minded segments that promoted false claims about the election results, including attacks on technology company Dominion Voting Systems. Those segments played a key role in Dominion’s defamation lawsuit against Fox, which the network ultimately settled for a massive sum.

That lawsuit also provided a keyhole view of how Pirro’s own colleagues viewed her. In an email, Fox executive David Clark, who oversaw her show, privately explained why he had taken her off the air at first: “I don’t trust her to be responsible. … Her guests are all going to say the election is being stolen and if she pushes back at all it will just be a token.” Internal Fox communications also show her executive producer describing her as a “reckless maniac” who is “nuts,” promotes “conspiracy theories,” and “should never be on live television.”

But it’s hard to get fired from Fox for being too supportive of Trump — and indeed, Pirro subsequently received a promotion to The Five. She used that post to furiously denounce the legal cases against Trump and the prosecutors and even jurors involved in them.

“We have gone over a cliff in America,” she said after a New York jury found Trump guilty on 34 counts. “This is a new era in America, and I think it goes against the ilk of who we are as Americans and our faith in the criminal justice system.”

Since Trump returned to office, Pirro has kept busy by showering him with praise. “Donald Trump is not panicked and neither should we be because he's bringing us to the golden age, Harold, and that's the end of it,” she said last month.

She’s also lashed out at anyone attempting to stand in his way, from federal employees who “think they’re entitled to a job” to “stupid” judges who rule against him to governors who won’t let state law enforcement cooperate with Immigrations and Customs Enforcement.

Pirro spent years denouncing the Justice Department for not serving as an extension of Trump’s will and throwing his political foes in jail. Now she’ll have the opportunity to do just that.

Reprinted with permission from Media Matters.

Hundreds Of Federal Employees Who Produce Weather Forecasts Fired -- Again

Hundreds Of Federal Employees Who Produce Weather Forecasts Fired -- Again

Several hundred federal workers who were reinstated in their roles after being fired in the early days of President Donald Trump's administration have now just been fired yet again.

The Guardian reported Thursday that approximately 800 workers with the National Oceanic and Atmospheric Administration (NOAA) have been at the whim of a "rollercoaster" of court rulings in recent months, which culminated in today's firings. Initially, after South African centibillionaire Elon Musk's Department of Government Efficiency (DOGE) fired thousands of "probationary" workers (who have been in their roles for a year or less), a court order handed down in March ordered that they be hired back. But earlier this week, the Supreme Court reversed that order, and those workers were once again out of a job.

“Well after about 3 weeks of reinstatement, I, along with other probationary employees at NOAA, officially got 're-fired' today,” tweeted Dr. Andy Hazelton, who was a hurricane modeling scientist at the agency. “What a wild and silly process this has been.”

The firing of the NOAA workers comes just months before the official start of hurricane season, which usually begins on June 1 each year. The agency's forecasting experts are a critical tool for the administrations of hurricane-prone states as they make preparations to evacuate residents in the event of a major storm.

And aside from hurricane season, NOAA also assists with weather mapping that helps track thunderstorm patterns and alert Americans to potential tornadoes during the spring months. In an interview with the Guardian, Hazelton said that while remaining staff will do their best despite the cuts, the significant reduction in staffing will make their jobs more difficult.

“It’s going to create problems across the board,” Hazelton told the outlet. “It may be a slow process but the forecasts are going to suffer and as a result people will suffer.”

The loss of staffing at NOAA could also be felt beyond the United States' borders. According to the Guardian, other countries rely on findings from NOAA's scientists, satellites and intelligence. The agency has information-sharing agreements with countries in the Caribbean region, which can help local governments better prepare for disasters in the event of a major hurricane in the area.

Reprinted with permission from Alternet.

The Well-Respected Software You Need To Finish Your Screenplay

The Well-Respected Software You Need To Finish Your Screenplay

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The list of Final Draft devotees includes exalted film luminaries like Aaron Sorkin, James Cameron, JJ Abrams, Sofia Coppola, and many more. That alone is proof positive that the latest program version, Final Draft 10 (now on sale for $149.99, a $100 discount from The National Memo Store), is the pro tool system to help get your script idea camera-ready.

As it’s done for 25 years, Final Draft 10 helps you shape your script to all the entertainment industry protocols and odd nuances that other pros recognize, including pagination, stage directions, and more. You get over 100 different templates for screenplays, teleplays, and stage plays. You can store multiple script variations and line changes with ease, collaborate with any number of other screenwriters in real time, and even dictate your script for hands-free writing.

In addition to all that power, Final Draft 10 also boasts one of the coolest makeovers ever for this perennial best seller. Story Map allows you to outline scenes, then actually view each individual script scene as a graphic representation within the complete work. At a glance, you ‘ll know if your scene is running too long or whether a significant plot point is falling into the correct place in your story.

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Stanley Rubin, Prolific TV And Movie Writer-Producer, Dies At 96

Stanley Rubin, Prolific TV And Movie Writer-Producer, Dies At 96

By Bob Pool, Los Angeles Times

LOS ANGELES — There was a 69-year gap between the time Stanley Rubin enrolled at the University of California, Los Angeles, in hopes of launching a writing career and 2006, when he actually graduated.

And during that seven-decade break in schooling, the prolific film and television writer and producer left his mark at nearly every studio in Hollywood, helped run the Writers Guild and Producers Guild, and took home one of the first Emmys ever awarded.

Rubin, 96, died Sunday in his sleep at his home above the Sunset Strip, said actress Kathleen Hughes, his wife of 59 years.

Born Stanley Creamer Rubin on Oct. 8, 1917, in the Bronx, he was a teenager when he took a Greyhound bus across the country to enroll at UCLA in 1933. After working as the editor of the school’s newspaper, the Daily Bruin, he was a few units shy of graduating when he dropped out in 1937 to work for a weekly Beverly Hills newspaper owned by Will Rogers Jr.

From there he went to work in the Paramount Pictures mailroom, where his radio, TV and film career was launched. In 1949, the first year the Emmys were awarded, he accepted the statue for best film made for television for an episode of the dramatic anthology series “Your Show Time” called “The Necklace.”

By 1940 he had become a writer at Universal Studios; in 1946 he switched to Columbia Pictures, and in 1948 he moved to a producing job at NBC. Rubin worked as a theatrical film producer for a variety of movie studios in the early 1950s before returning to television producing at CBS. He moved back to TV production at Universal Studios in 1960, took a TV producing post at 20th Century Fox in 1967 and then at MGM from 1972 to 1977.

Along the way, he wrote 19 movies and produced more than two dozen feature and TV films, including a 1955 Francis the Talking Mule comedy and 1967’s The President’s Analyst starring James Coburn. Producing River of No Return in 1954, Rubin turned into a diplomat when he mediated between strict director Otto Preminger and mercurial star Marilyn Monroe.

After leaving MGM, he worked as an independent film producer. His last screen credit in 1990 was as co-producer of Clint Eastwood’s White Hunter Black Heart.

Hughes said her husband’s favorite movie was The Narrow Margin, a 1952 thriller about assassins stalking a woman taking a train from Chicago to Los Angeles to testify against the mob.

The movie’s release was delayed when RKO Radio Pictures head Howard Hughes became enthused by the film and asked Rubin to reshoot it with an A-list cast instead of Marie Windsor starring as the woman and Charles McGraw playing a police detective trying to protect her. Rubin refused on grounds that the whole film would have to be recast and reshot.

Rubin could be stubborn when he stood up to studio chiefs, recalled a friend, film historian Alan K. Rode. He once refused when another studio head insisted that a fictional movie about Adolf Hitler escaping Nazi Germany and hiding in the U.S. be changed to a film about communists making nerve gas in the Midwest, said Rode, director of the Film Noir Foundation.

During World War II, Rubin served a stint with the Army’s First Motion Picture Unit. He hammered out contracts for the Writers Guild and spent five years as president of the Producers Guild.

Rubin’s decision to return to UCLA to make up his missing 14 units found students in a 2006 School of Theater, Film and Television history class in awe of him after they discovered who he was. They were shocked to learn that the grandfatherly man who always sat near the front of the class had been a genuine pioneer of radio, television and film.

Rubin’s 20-page term report was about how advertisers determined the content of 1940s radio shows.

“Most of the scripts I wrote ran about 120 pages,” he confided to one of his young classmates. “So this was a piece of cake. But don’t tell the professor.”

Besides his wife, he is survived by daughter Angie, a film music editor; sons John, a documentary filmmaker, and Michael, who formerly worked in postproduction. Another son, Chris, died in 2008.

Photo: geminicollisionworks via Flickr

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